פרסומים נבחרים:   
  • Ornoy, E. (2013). The Cambridge Companion to Recorded Music - Book Review. Min-Ad: Israel Studies in Musicology, 11.
  • Eitan, Z., Ornoy, E. and Granot, R. (2012). Listening in the Dark: Congenital and Early Blindness and Cross-Domain Mappings in Music. Psychomusicology: Music, Mind, and Brain, 22/1, 33-45. (online).
  • Liebman, E., Ornoy, E. and Chor, B. (2012). A Phylogenetic Approach to Music Performance Analysis. Journal of New Music Research, 41/2, 195-222. (online).
  • Ornoy, E. (2012). On music and meaning. Proceedings of the 7th annual Sapir Forum for the Discussion and Research of Culture, Sapir Academic College (forthcoming, in Hebrew).
  • Ornoy, E. (2010). Between preservation and "progress": the historically oriented performance revolution. Proceedings of the 4th annual Sapir Forum for the Discussion and Research of Culture, Sapir Academic College, 44-49 (in Hebrew).
  • Fabian, D. and Ornoy, E. (2009). Identity in violin playing on records: interpretation profiles in recordings of solo Bach by early 20th-century violinists, Performance Practice Review, 14 (online).
  • Ornoy, E. (2009). Cross Rhythms- Jazz Aesthetics in African-American Literature - Book Review. Proceedings of the 3rd annual Sapir Forum for the Discussion and Research of Culture, Sapir Academic College, 69-74 (in Hebrew).
  • Ornoy, E. (2008). Recording Analysis of J.S.Bach's g minor Adagio for Solo Violin (excerpt):A Case Study, Journal of Music and Meaning, 6 (online).
  • Ornoy, E. (2008). In search of ideologies and ruling conventions among early music performers, Min-Ad: Israel Studies in Musicology 6 (online).
  • Ornoy, E. (2008). An empirical study of intonation in performances of J.S. Bach's Sarabandes: temperament, 'melodic charge' and 'melodic intonation', Orbis Musicae , 14, 37-76.
  • Ornoy, E. (2006). Between theory and practice: comparative study of early music performances", Early Music, 34/2, 233- 249 (ranked among 10 most-downloaded articles of 2011, Oxford University Press).
  • Ornoy, E. (2000). Traveling through time tunnel: the early music movement, Oznaim, 1, 8-9 (in Hebrew).
  כנסים בארץ ובחו"ל:   
  • 2012 6th annual Sapir Forum conference for the Discussion and Research of Culture: Concert Music Discourse, Sapir Academic College, Israel (chairman paper)
  • 2010 4th annual Sapir Forum conference for the Discussion and Research of Culture, Sapir Academic College, Israel (paper)
  • 2010 Annual meeting conference of the Israel Musicological Society, Jerusalem Academy of Music and Dance, Israel (paper)
  • 2009 3rd annual Sapir Forum conference for the Discussion and Research of Culture, Sapir Academic College, Israel (paper)
  • 2007 Musicology and Recordings- CHARM/RMA annual conference, Royal Holloway- University of London, UK (paper)
  • 2006 120 years of recordings: performance in a world of sonic documentation, Hebrew University of Jerusalem, Israel (chairman paper)
  • 2006 Second International Conference on Music and Gesture, Royal Northern College of Music, UK (poster).
  • 2005 Musical Performance and Musical Research, Tel-Aviv University (paper)
  • 2002 5th European Music Analysis Conference, University of Bristol, UK (paper)
  • 2002 Investigating Music Performance, Royal College of Music, London (poster)
  • 1995 Authenticity in Interpretation, The Jerusalem Music Center, Jerusalem (paper)